Integration Between Typography and Geometric Sequences as a System in Updating Experimental Methods in Three and Two-Dimensional Printing Designs for Women's Fabrics

Design is a human creative product which considered a type of human culture, measures the progress of societies, as a direct result of the artist's sense and interaction in all aspects of life, with historical development of human life and overlap of societies, he tried to communicate with societies, so he invents writing to save his cultural heritage from loss.
So, " Typography art " was found since the presence of human as a type of communication through written symbols, ancient man began to use drawings on caves walls, these drawings evolved over time until the appearance of writing, which is the spark for the emergence of typography art later.
typography art is an important formative element contains artistic dimensions to formulate aesthetic visions complementary to functional dimensions performed by Arabic letter.
this research use Kufic font because of its flexibility ,ability to form by subordinating letters to structural organizations through representative lines in repetitive patterns referenced with geometric sequences based on the ratio between figure And space making it new experimental entrance integrates with application on women’s 2d and 3d fabrics as a different direction and application with 3d printing machines define fabric shape, thickness, decoration and color in short time with high accuracy with output in the form of stretchable, foldable, and shape-changing fabric.
The integration between geometric progressions and the typography art within the printing surfaces applied with the two- and three-dimensional weaving techniques allows the destabilization of the fixed artistic molds by means of experimentation.