الزجاج بين المفهوم فى الفن وفن المفهوم

أحمد الهلالى, مریم; حفناوي, هاجر; أنسى, وليد

doi:10.21608/jdsaa.2023.171622.1233

الزجاج بين المفهوم فى الفن وفن المفهوم

نوع المستند : Original Article

المؤلفون

¹ کلیة الفنون التطبیقیة، جامعة حلوان

² قسم الزجاج، کلية الفنون التطبيقة،جامعة حلوان

³ كلية الفنون التطبيقية، جامعة حلوان

10.21608/jdsaa.2023.171622.1233

المستخلص

An artistic problem always occurs in defining the difference between the artistic concept and the art of concept, and the meaning of each of them and what it aims for or express, so the art of concept takes a kind of ambiguity, and it is the art that arose in the early seventies of the last century and spread in USA, free from the ideas of molding art in forms or aesthetic patterns away from the repetitive copies or the conventional system, bearing a character and a special concept of elevating the value of the idea over anything and nothing in the artistic work, which led to the need to clarify the difference between what is meant by art of concept and what is meant by the artistic concept in all ages and other kinds of arts, ancient and modern, applying to glass using in all artistic concepts and ideas, emphasizing the expressive flexibility of glass in artistic work in general, and concept art in particular, with aim of separating the meaning from the concept in art and the concept in art of concept, while clarifying the role of glass in building glass artworks in line with all arts and eras, assuming that the separation of meaning for concept in both case enriches glass artworks and leads artists and designers to a higher degree of professionalism in clarifying and expressing their ideas.

الكلمات الرئيسية